fall 2017
Table of Contents
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qualifications
for your consideration
Laura Yan
Ode to a Desiccated Olive
(Love is easier the headless way)
James Cagney
What It Is About to Do Le Mouton Noir Dessa Bayrock
Pamplemousse Dominique Bernier-Cormier
The Malice in My Footsteps
Conyer Clayton
Persuasion
Freedom of Speech
Emma Winsor Wood
Ecstasy Like Water to Soften Leather Jasmine Sky
Somebody Else's Heroes
Small Change
Jocko Benoit
Familiar
Pianissimo
Jennifer van Alstyne
Rebelling Unrest Errata Dani Spinosa
Stereotypes like like i love you Andrew Warner
* (It was a lake, used to bodies :islands) * (Arm over arm you expect) Simon Perchik
Unsolicited Relationship Advice
Erin Kirsh
cold bright waves for sorrow leaf kotasek
The Travel Section Ghost Train Christopher Levenson
Limits
New York
Brian Jerrold Koester
Pianissimo
Quandariness: The Question of Instrument
Remains debate of expression over
Intention, an adoption of resource.
Bach sees his first piano: deathbed
Beast—sound & timbre—the unimagined
Elements of slave-work composition.
Scat jazz, ultimate violate: frequent
Improv: the ‘x’ of instrument ‘x’ or
Delight of structural sound integrity
Beckons argument of dynamics &
Pressure & pedals: pianissimo.
Gould: indifferent to suitability,
Plays chromatic fantasia first &
Last time, conducts himself with waved hand, an
Off-kilter tenor. Debate comes to end.