fall 2017
Table of Contents
Return to Home PageEcstasy Like Water to Soften Leather Jasmine Sky
What It Is About to Do Le Mouton Noir Dessa Bayrock
Ode to a Desiccated Olive (Love is easier the headless way) James Cagney
qualifications for your consideration Laura Yan
Limits New York Brian Jerrold Koester
Familiar Pianissimo Jennifer van Alstyne
The Malice in My Footsteps Conyer Clayton
Stereotypes like like i love you Andrew Warner
* (It was a lake, used to bodies :islands) * (Arm over arm you expect) Simon Perchik
Unsolicited Relationship Advice Erin Kirsh
Somebody Else's Heroes Small Change Jocko Benoit
Pamplemousse Dominique Bernier-Cormier
The Travel Section Ghost Train Christopher Levenson
cold bright waves for sorrow leaf kotasek
Persuasion Freedom of Speech Emma Winsor Wood
Rebelling Unrest Errata Dani Spinosa
Pianissimo
Quandariness: The Question of Instrument
Remains debate of expression over
Intention, an adoption of resource.
Bach sees his first piano: deathbed
Beast—sound & timbre—the unimagined
Elements of slave-work composition.
Scat jazz, ultimate violate: frequent
Improv: the ‘x’ of instrument ‘x’ or
Delight of structural sound integrity
Beckons argument of dynamics &
Pressure & pedals: pianissimo.
Gould: indifferent to suitability,
Plays chromatic fantasia first &
Last time, conducts himself with waved hand, an
Off-kilter tenor. Debate comes to end.