fall 2017
Table of Contents
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qualifications
for your consideration
Laura Yan
Limits
New York
Brian Jerrold Koester
Ode to a Desiccated Olive
(Love is easier the headless way)
James Cagney
The Malice in My Footsteps
Conyer Clayton
cold bright waves for sorrow leaf kotasek
* (It was a lake, used to bodies :islands) * (Arm over arm you expect) Simon Perchik
What It Is About to Do Le Mouton Noir Dessa Bayrock
Ecstasy Like Water to Soften Leather Jasmine Sky
Familiar
Pianissimo
Jennifer van Alstyne
Pamplemousse Dominique Bernier-Cormier
Persuasion
Freedom of Speech
Emma Winsor Wood
Rebelling Unrest Errata Dani Spinosa
Unsolicited Relationship Advice
Erin Kirsh
Somebody Else's Heroes
Small Change
Jocko Benoit
The Travel Section Ghost Train Christopher Levenson
Stereotypes like like i love you Andrew Warner
Le Mouton Noir
Let me tell you about the bar that I’m in; let me tell you
how I never miss you as fiercely as I do in a bar, a dim bar,
a bar whose walls are soft with cedar. And let me tell you
about this bar, this bar I drove to in the dying June light
so my little brother could meet a girl with pink hair
and a voice like a sunrise; this bar with its five stage lights
flashing yellow, red; yellow, yellow, red; this bar
with its portrait of a woman who looks like Frida Kahlo
on the wall. And let me tell you about Frida Kahlo,
how she was impaled by a trolley handrail in an accident;
how she lay in bed, injured, and painted her own chest
with a mirror. Maybe I should tell you how you are more
than a dim bar to me, more than an injury in a mirror,
but Frida can attest to the fallibility of things we lean on
and their capacity for harm. No; no. I am done with the trolley,
so instead let me tell you only that I miss you, and that I am safe
in the cedar-lined walls of this strange, empty bar around me.