fall 2015
Table of Contents
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A Fire Hydrant on Camino de la Amapola
Good to See You
Eleanor Kedney
Brains Lost to the Earth Melissa Nelson
(Ouverture) Garry Thomas Morse
The Day Everyone Realized Ron Riekki
Word on the Street
Henry Rappaport
The Stale Cold Smell of Morning
Angela Rebrec
a rose is a rose is a rose manhattan Nikki Reimer
Darkening Over Still Water Richard King Perkins II
what do you talk about
desire derives pleasure
aren't we missing every thing
gary lundy
Alcohol
Fast-slow Continuum
Peycho Kanev
the neighbors knew i divined water
Hell is hot
Allison DeLauer
Yellow Flowers
The World Dream
Ann Filemyr
revenge/reincarnation annie ross
The Story of Chitin Giri Zoe Dagneault
Saturday Night
Charles Springer
Why, And for What Purpose
Is There Something
Ace Bogess
A Monday The Devil Valentina Cano
Can't Stomach Mitchell Grabois
In the Cyberspace Icicle Changming Yuan
The Insidious Susurration
A Conversation
Marie-Andree Auclair
Fault Vodka / Blame Juice Jamie Sharpe
QED A Moth In Rain Christopher Patton
Girl I
Girl II
Carolyn Supinka
what do you talk about when unoccupied
what do you talk about when unoccupied by the givens of your upbringing. that's not something you should do in public. nor in front of your mother whose fear fills your life with the excuse of wrong doing.
the sentence that drives desire derives its strength in denial. in imposed self-hatred. in poetry sentences are fragmented memories disabling all certainty. confidence flees into the comfort of status quo.
my first lover father escapes his mother’s strictures by diving head first into my awaiting innocent body. dwell in some hidden context. we meet and forget almost immediately.
love so fragile. this early lover father whose touch beautified my unexplored mundane life.