spring 2020
Table of Contents
Return to Home Page
Tchaikovsky, Age 52, Finds His Inspiration
John Barton
How Do I Love Thee? Let Me Count the Nachos
Jessica Covil
Breathturning Chris Checkwitch
There Is No Substitute for Good Planning
Erin Kirsh
Supermarket Lobsters
Robbie Gamble
Stem of Old French Creistre, To Grow
Of Stinging Nettle
Page Hill Starzinger
Another Vision
Patricia Nelson
Six Gray Moons on a Screen
Eleanor Kedney
Like the best myths
Medusozoa
Sarah Lyons-Lin
A Twohanded Cut
The Tornado Cut
The Pandora Cut
Torben Robertson
Monologue of a Fly's Shadow
Monologue of a Cow's Shadow
Danielle Hanson
she is in the kitchen now
Nora Pace
Family Dinner
In Which I Re-name My Father
Poem Containing Only Words I Hate
griffin epstein
blue light
Stephanie Yue Duhem
Moon Turned Her Half Face From Me
Lawrence Feuchtwanger
Humid Weather
Me of Me
Catherine Strisik
A Symptom of Resignation
The Gee Whiz Element of Tropical Storms and Symphonies
Jen Karetnick
sold separately Lesley Battler
Communion of Tongues
Hege A. Jakobsen Lepri
The Pandora Cut
Pandora must be pried in many moves.
The tornado cut, outlined above,
is but a detail of the tapestry.
Who is Pandora if each time she shows
her face is different than the other time?
Only iterations of
her own unreal idea.