spring 2020
Table of Contents
Return to Home Page
Tchaikovsky, Age 52, Finds His Inspiration
John Barton
Stem of Old French Creistre, To Grow
Of Stinging Nettle
Page Hill Starzinger
blue light
Stephanie Yue Duhem
Communion of Tongues
Hege A. Jakobsen Lepri
Monologue of a Fly's Shadow
Monologue of a Cow's Shadow
Danielle Hanson
A Twohanded Cut
The Tornado Cut
The Pandora Cut
Torben Robertson
she is in the kitchen now
Nora Pace
Family Dinner
In Which I Re-name My Father
Poem Containing Only Words I Hate
griffin epstein
Another Vision
Patricia Nelson
Supermarket Lobsters
Robbie Gamble
Moon Turned Her Half Face From Me
Lawrence Feuchtwanger
How Do I Love Thee? Let Me Count the Nachos
Jessica Covil
Breathturning Chris Checkwitch
sold separately Lesley Battler
A Symptom of Resignation
The Gee Whiz Element of Tropical Storms and Symphonies
Jen Karetnick
Humid Weather
Me of Me
Catherine Strisik
Six Gray Moons on a Screen
Eleanor Kedney
There Is No Substitute for Good Planning
Erin Kirsh
Like the best myths
Medusozoa
Sarah Lyons-Lin


A Twohanded Cut
like a novel’s arc
five packets dance
hand on over hand:
this phase is rising
action;
it sets the climax out:
the packets stretch
a panorama
acrobatic!— then,
the closer or
the denouement
recentres
all loose ends.