spring 2019
Table of Contents
Return to Home PageI Am Allowed to Break Up With You Amy Kenny
Catastrophe that Nearly Brought Down a Plane Sabyasachi Nag
When the Time Comes Soothing Cameron Morse
Descension David Ly
Tensions Orange Bottles Sean Singer
orange socks there are bad men at the top Kate LaDew
Across This Body First Generation The Wall Jeni De La O
Terrigenous Michelle Mitchell-Foust
Sophocles Martin Kippenberger's Bicycle Charles Kell
Magnetic Resonance Lisa Mulrooney
Against All Odds Mary Lou Soutar-Hynes
Six Thousand Dollars Cole Depuy
Sixteen Weeks in the Caribbean Apartment Laura McGavin
Descension
I catch your eyes as you swiftly descend past me in the concrete
stairwell while I move up, your honey
brown irises are canals I fall into, and can’t climb out of.
You’re in such a rush I swear there are silver wings on the heels
of your grey canvas high-tops, but our encounter transpires slowly for me
like tree sap engulfing a dragonfly when it just needs to rest.
Dressed in denim on denim, gliding by all nonchalant in light wash,
liquorice-black hair messily slicked back,
I imagine being you in this moment,
looking at me, the guy who’s caught off guard
but more relaxed than how I think I look to people.
What does it feel like to see me as someone
who you willingly hold a gaze with, someone who could be the one
to endearingly argue with down the road about which of us
was sending the other “vibes” in the stairwell.
It’s me, of course, apologizing under my breath
for almost colliding with you, an apology that speaks to more
than the moment at hand as it reverberates beyond these walls
that are trapping echoes your shoes make. I hear the sorry
from a future where I would say it to you over and over again
but you’d remind me that there’s nothing to forgive,
absolving me of my own guilt for letting my imagination run too far,
thinking that the worst for us would always come,
that any step forward together, would make me feel like I’m holding
you back—but back to what’s occurring now: you’re on your way
skipping stairs as you bolt to where you are needed, leaving me
here, where I have to be because my imaginings are just
imaginings, nothing concrete.